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Current IssueIssue 41

Published March 2, 2026

Issue Description

Notebook
Displaced Images, Iconographic Survivals: Cinema and the Public Sphere

Dialogue
Filming to Profane the Border: Cinema as Counter-Power. A Conversation with
Sylvain George

(Dis)agreements
Counter-Visualities of Extraction: Archival Frictions in the Afterlives of Petro-Colonialism

Executive editors: Ivan Pintor Iranzo, Glòria Salvadó Corretger, Teresa Sorolla Romero, Jordi Montañana-Velilla

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Table of Contents

Issue Credits

Introduction

Notebook

Dialogue

(Dis)agreements

Vanishing Points

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About the journal

 

L’Atalante. Revista de estudios cinematográficosis a non-profit, biannual publication founded in 2003, published in Valencia, Spain, by El camarote de Père Jules and the Associació Cinefòrum L’Atalante.

L’Atalante is indexed in various catalogs, directories, summaries, and databases of research and scientific dissemination journals. Internationally, it appears in the Arts and Humanities Citation Index® and Current Arts and Humanities® by Clarivate (USA); Latindex (Regional Online Information System for Scientific Journals from Latin America, the Caribbean, Spain, and Portugal); SCOPUS by Elsevier (Netherlands); the Library of Congress (USA); DOAJ (Directory of Open Access Journals, Lund University); and ERIH PLUS (European Referee Index for the Humanities and Social Sciences, Norway). In Spain, it is included in the CSIC database of Social and Human Sciences Journals (ISOC); in the bibliographic portal for Spanish-language scientific literature (DIALNET); in REBIUN (University Library Network); and has the FECYT (Spanish Foundation for Science and Technology) quality seal.

More information is available on the About the Project tab.

 

 

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