Title: Transnational Memories in Asian Cinemas
Acceptance of submissions for the Notebook section: November 1st to November 30th, 2025
Date of publication: July, 2026
Coordinators: Marcos Centeno, Amanda Weiss and Alberto Porta
Se abre la convocatoria de artículos para la sección Puntos de Fuga (miscelánea) de los números 42 y 43.
Aceptación de propuestas para la sección Puntos de Fuga: del 1 al 30 de septiembre de 2025.
Fecha de publicación: julio 2026 y enero 2027, respectivamente.
Title: Displaced Images, Iconographic Survivals: Cinema and the Public Sphere
Acceptance of submissions for the Notebook section: April 1st to April 30th 2025
Date of publication: January 2026
Coordinators: Glòria Salvadó, Iván Pintor, Teresa Sorolla y Jordi Montañana
We announce a call for papers for the section Vanishing Points for volumes 40 & 41 of L'Atalante, to be respectively published July 2025 and January 2026. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: January 1st to January 31th 2025.
Title: Actresses’ bodies in transition: gestures, performances and figures between inherited models and new subjectivities
Acceptance of submissions for the Notebook section: 1-30 November 2024
Date of publication: July 2025
Coordinators: Gonzalo de Lucas, Annalisa Mirizio, Olga García-Defez and Carmen Guiralt
Title: Spanish and Hispanic American Exile Films
Acceptance of submissions for the Notebook section: from 1 May to 31 May 2024
Date of publication: January 2025
Editors: Matei Chihaia, Andrea Luquin Calvo y Carmen Guiralt
We announce a call for papers for the section Vanishing Points for volumes 38 & 39 of L'Atalante, to be respectively published July 2024 and January 2025. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: February 1st to February 29th 2023.
Title: The Rural Documentary in the European Context
Acceptance of submissions for the Notebook section: November 1st to 30th 2023
Fecha de publicación: July 2024
Coordinadores: Pascale Thibaudeau, Fernando Luque Gutierrez, Leire Azkunaga García, Violeta Martín Núñez
We announce a call for papers for the section Vanishing Points for volumes 37 & 38 of L'Atalante, to be respectively published July 2024 and January 2025. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: September 1st to September 30th 2023.
Title: Women and sport in audiovisual media: bodies, images, politics
Acceptance of submissions for the Notebook section: 1 May 2023 to 31 May 2023
Date of publication: January 2024
Editors: Manuel Garin, María Aparisi Galán
Title: Madrid on Film, City in the Shadows
Acceptance of submissions for the Notebook section: from 1st of July to the 10th of Septiember from the 1st to the 30th of November 2022
Date of publication: July 2023
Editors: Luis Deltell, Gema Fernández Hoya y Marta Martín Núñez
We announce a call for papers for the section Vanishing Points for volumes 36 & 37 of L'Atalante, to be respectively published July 2023 and January 2024. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: October 1st to October 31st 2022.
Title: Immersive Cinema: Devices, Stories, and Virtual Worlds
Acceptance of submissions for the Notebook section: 10 January 2022 to 24 April 2022
We announce a call for papers for the section Vanishing Points for volumes 34 & 35 of L'Atalante, to be respectively published July 2022 and January 2023. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: October 1st to October 31st 2021.
Title: The Migrant Archive: Studies on Migration through Film Archives
Acceptance of submissions for the Notebook section: 1 November 2021 to 10 December 2021
Title: Constructing a voice: Spanish women filmmakers of the 21st century
Acceptance of proposals for the Notebook section: from April 1st 2021 to April 30th 2021.
We announce a call for papers for the section Vanishing Points for volumes 32 & 33 of L'Atalante, to be respectively published July 2021 and January 2022. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: January 1st to February 15th 2021.Title: Female archetypes and the Star System in the history of Spanish cinema
Acceptance of proposals for the Notebook section:from November 1st 2020 to December 10th 2020.
Title: Ludonarratives: Narrative complexity in video games
Acceptance of proposals for the Notebook section: from July 1st 2020 to September 1st 2020.
We announce a call for papers for the section Vanishing Points for volumes 31 & 32 of L'Atalante, to be respectively published January and July 2021. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: May 15th to June 30th 2020.Title: Spanish cinema, tourism and geographical space
Acceptance of proposals for the Notebook section: from December 1st 2019 to February 12th 2020 (extended deadline).
We announce a call for papers for the section Vanishing Points for volumes 30 & 31 of L'Atalante, to be respectively published July 2020 and January 2021. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: October 20th 2019 to November 20th 2019.Title: The Impact of Japanese and South Korean Audiovisual Production on the Spanish-Speaking World
Acceptance of proposals for the Notebook section: from June 1st to 30th, 2019.
We announce a call for papers for the section Vanishing Points for volume 28 of L'Atalante, to be published July 2019. The texts will be exclusively published online.
Acceptance of articles for the section Vanishing Points: December 10th to January 14th.Provisional title: Censorship and Film Form. The Impact of the Hays Code on the Aesthetic Principles of American Classical Cinema
Acceptance of proposals for the Notebook section: from November 1st to 26th, 2018.
Se abre la convocatoria de artículos para la sección Puntos de Fuga del número 27, que se publicarán en enero de 2019. La edición será exclusivamente electrónica.
Aceptación de propuestas para la sección Puntos de Fuga: del 1 de mayo al 1 de junio de 2018.
Se abre la convocatoria de artículos para la sección Puntos de Fuga del número 26, que se publicarán en julio de 2018. La edición será exclusivamente electrónica.
Aceptación de propuestas para la sección Puntos de Fuga: del 1 de febrero al 1 de marzo de 2018.
Provisional Title: Experimentation, Avant-garde, and Deviation from the Norm in Classical Hollywood Cinema.
Acceptance of articles for the section “Notebook”: from March 15th to April 30th.
Title: "Hispanic global aesthetics: Literature, Cinema and Television".
Acceptance of proposals for the section “Notebook”: from 15th September to 10th December, 2017.
Title: The Endurance of Nostalgia: Melodramatic Narratives in Contemporary Fiction
Acceptance of articles for the Notebook section: June 20th to July 20th.
We announce a call for papers for the section Vanishing Points for issues 24 and 25, which are to be published in July, 2017 and January, 2018, respectively. These issues will be published online.
The deadline for the reception of proposals has been extended to February, 28th 2017.
Title: The Television Series from the Perspective of Methodological Innovation.
Acceptance of articles for the Notebook section: from December 15th to January 15th.
Title: The Television Series from the Perspective of Methodological Innovation.
Acceptance of articles for the Notebook section: from December 15th to January 15th.
Title: Desire and Eroticism in Dictatorial Times: Film Strategies Against Censorship in Totalitarian Regimes.
Acceptance of articles for the Notebook section: from March 20th to April 8th 2016.
Título provisional: Deseo y erotismo en tiempos dictatoriales: estrategias cinematográficas contra la censura de los regímenes totalitarios.
Aceptación de propuestas para la sección Cuaderno: del 20 de marzo al 8 de abril de 2016.
We announce a call for papers for the section Vanishing Points for issues 23 and 24, which are to be published in January and July, 2017, respectively. The texts will be exclusively published online since the journal will cease to be printed on paper as of the publication of issue 20.
Acceptance of articles for the section Vanishing Points: from March 1st to 15th, 2016Provisional title: The political documentary.
Acceptance of articles for the section Notebook: 15 October-10 November 2015.
Title: Memory, file and imaginary concerning World War I
Deadline for proposals for Cuaderno section: from March 10th to May 15th 2015
Título provisional: Memoria, archivo e imaginario en torno a la Primera Guerra Mundial
Aceptación de propuestas para la sección Cuaderno: del 10 de marzo al 15 de mayo de 2015
We announce a call for papers for the section Vanishing Points for issues 21 and 22, which are to be published in January and July, 2016, respectively. The texts will be exclusively published online since the journal will cease to be printed on paper as of the publication of issue 20.
Acceptance of articles for the section Vanishing Points: from February 23rd to March 9th, 2015Provisional title: Wounds, remains, transformations: towards the definition of some stylization models in the Spanish postwar filmmaking (1939-1962)
Acceptance of articles for the section Notebook: 1-22 July 2014
Provisional title: Faces, Voices, Bodies, Gestures. The Conception of Acting as the Core of Film Analysis
Acceptance of articles for the section Notebook: 15 January-15 March 2014 (deadline extended)
Provisional title: Cinephile Directors in Modern Times: When Cinema Interrogates Itself
Acceptance of articles for the section Notebook: 1 June-2 September 2013
Provisional title: The ephemeral architecture in film. The architectural set and the creation of the cinematic space
Acceptance of articles for the section Notebook: 15 Junuary-28 February 2013
Provisional title: Comic and Cinema
Acceptance of articles for the section Notebook: 15-30 june 2012
Provisional title: Mind-game Fims. The Trauma in the Plot.
Acceptance of articles for the section Notebook: 15-30 January 2012