Narrative Space, Authenticity, and Dramatic Expression in 'Adiós, cigüeña, adiós'

Abstract

This article studies the dimensions and functions of narrative space in the film Adiós, cigüeña, adiós (Manuel Summers, 1971), which was shot in Madrid. To this end, two strands of analysis are performed, firstly a historical analysis of the film is completed enabling it to be contextualised and understood as a social agent and secondly a study of the fictional space using the narratological model from literary theory, augmented with insights from key works in cinematographic aesthetics and semiotics. The film’s locations are shown to be essential elements of coherence and integrity giving the film a sense of authenticity. Likewise, space is demonstrated to be semiotised through its connection to the memories, experiences, fantasies, and desires of the filmmaker himself, so generating a spatial axiological dichotomy affecting the meanings places and the characterization of the characters. Furthermore, the feedback between space and dramatic expression offers audiences valuable insights into the film’s action and plot.