Published 2011-07-01
Keywords
- film,
- photography,
- genre,
- aesthetics,
- video art
How to Cite
Blümlinger, C. (2011). From photography to film and vice versa. L’Atalante. Journal of Film Studies, (12), 70–77. https://doi.org/10.63700/77
Abstract
A montage of texts and interviews edited by Christa Blümlinger and revised by the filmmaker Angès Varda in 2009, analysing the relationship existing between cinema and photography in the French director's films. The statements made by Varda shed light on her photographic and cinematic training, as well as her opinions about the interrelationship between the still image and the moving image in her work (films and video installations).Downloads
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References
AQUIN, Stéphane (ed.) (2004). Agnès Varda. En Global Village: The 1960s. Ghent: Snoeck Publishers.
BASTIDE, Bernard (1995). Les Cent et une nuits, chronique d‘un tournage. París: Pierre Bordas et fils.
BLÜMLINGER, Christa (2010). Les cartes postales chez Agnès Varda. En GUIDO, Laurent y LUGON, Olivier (eds.), Fixe/animé, croisements de la photographie et du cinéma au XXe siècle (pp. 311-326). Lausanne: L‘Age d‘Homme.
CORTELLAZZO, Sara; MARANGI, Michele (1990). Agnès Varda. Torino: Edizioni di Torino.
FLITTERMAN-LEWIS, Sandy (1996). To Desire Differently: Feminism and the French Cinema. Nueva York: Columbia University Press.
FRIEZE Foundation, Londres (2009). A Talk: Agnès Varda. En http://www.friezefoundation.org/talks/detail/a_talk_agnes_varda/ [Fecha de consulta: 01/03/2011].
HAMOS, Gusztáv; PRATSCHKE, Katja; TODE, Thomas (eds.) (2010). Viva Fotofilm, bewegt/unbewegt. Marburg: Schüren.
HEREDERO, Carlos F.; MONTERDE, José Enrique (eds.) (2002). En torno a la Nouvelle Vague: rupturas y horizontes de la modernidad. Valencia: Institu Valencià de Cinematografía Ricardo Muñoz Suay.
KOENIG QUART, Barbara (1989). Women Directors. The Emergence of a New Cinema. Santa Bárbara: Praeger.
LAMBERT, M.; TIMPLEDON, Miriam T.; MARSEKEN, Susan F. (2010). Agnès Varda. Beau Bassin: Betascript Publishing.
RICE, Shelley (2011). El hilo de Ariadna: en las playas que son Agnès Varda. L’Atalante. Revista de estudios cinematográficos, 12.
SMITH, Alison (1998). Agnès Varda. Manchester: Manchester University Press.
VARDA, Agnès (2005). Varda par Agnès. París: Éditions des Cahiers du Cinéma.
BASTIDE, Bernard (1995). Les Cent et une nuits, chronique d‘un tournage. París: Pierre Bordas et fils.
BLÜMLINGER, Christa (2010). Les cartes postales chez Agnès Varda. En GUIDO, Laurent y LUGON, Olivier (eds.), Fixe/animé, croisements de la photographie et du cinéma au XXe siècle (pp. 311-326). Lausanne: L‘Age d‘Homme.
CORTELLAZZO, Sara; MARANGI, Michele (1990). Agnès Varda. Torino: Edizioni di Torino.
FLITTERMAN-LEWIS, Sandy (1996). To Desire Differently: Feminism and the French Cinema. Nueva York: Columbia University Press.
FRIEZE Foundation, Londres (2009). A Talk: Agnès Varda. En http://www.friezefoundation.org/talks/detail/a_talk_agnes_varda/ [Fecha de consulta: 01/03/2011].
HAMOS, Gusztáv; PRATSCHKE, Katja; TODE, Thomas (eds.) (2010). Viva Fotofilm, bewegt/unbewegt. Marburg: Schüren.
HEREDERO, Carlos F.; MONTERDE, José Enrique (eds.) (2002). En torno a la Nouvelle Vague: rupturas y horizontes de la modernidad. Valencia: Institu Valencià de Cinematografía Ricardo Muñoz Suay.
KOENIG QUART, Barbara (1989). Women Directors. The Emergence of a New Cinema. Santa Bárbara: Praeger.
LAMBERT, M.; TIMPLEDON, Miriam T.; MARSEKEN, Susan F. (2010). Agnès Varda. Beau Bassin: Betascript Publishing.
RICE, Shelley (2011). El hilo de Ariadna: en las playas que son Agnès Varda. L’Atalante. Revista de estudios cinematográficos, 12.
SMITH, Alison (1998). Agnès Varda. Manchester: Manchester University Press.
VARDA, Agnès (2005). Varda par Agnès. París: Éditions des Cahiers du Cinéma.