Número 19
Quadern

El treball actoral com a fonament per al cinema d'autor. El cinema independent americà com a exemple.

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  • Cynthia Baron
Cynthia Baron
Bowling Green State University
Biografia
DOI: https://doi.org/10.63700/235

Publicades 2015-01-01

Paraules clau

  • treball actoral,
  • interpretació en la pantalla,
  • cinema independent americà,
  • naturalisme,
  • semiòtica de Praga.

Com citar

Baron, C. (2015). El treball actoral com a fonament per al cinema d’autor. El cinema independent americà com a exemple. L’Atalante. Revista d’ Estudis cinematogràfics, (19), 51–58. https://doi.org/10.63700/235

Drets d'autor (c) 2015 L'Atalante. Revista d' estudis cinematogràfics

Creative Commons License

Aquesta obra està sota una llicència internacional Creative Commons Reconeixement-NoComercial-SenseObraDerivada 4.0.

Resum

Per tal d'il·lustrar que el treball actoral mereix la mateixa atenció que se li dona a altres elements fílmics, el present article demostra que actuar pot ser crucial fins i tot per al cinema independent d'autor. L'anàlisi se centra en les interpretacions dels personatges de Matewan (John Sayles, 1987), pel·lícula que pertany a la primera «edat d'or» del cinema independent americà i està realitzada per un director reconegut del cinema independent. Explora la concepció neonaturalista del personatge en la qual es basen les actuacions en Matewan. També analitza aspectes dels actes, identificats pels teòrics de l'Escola de Praga com a signes gestuals (gestos socials) i expressions gestuals (ús individual dels gestos), per demostrar que, en Matewan, la informació clau sobre els personatges i el seu món es transmet a través dels signes gestuals seleccionats i de les qualitats de les expressions gestuals idiosincràtiques de cada actor.

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Referències

  1. American Cinematographer (1999). Interview with John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 52-56). Jackson: University of Mississippi Press.
  2. American Film (1999). Dialogue on Film: John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 80-85). Jackson: University of Mississippi Press.
  3. Baron, Cynthia, Carson, Diane, y Tomasulo, Frank P. (2004). Introduction. En C. Baron, D. Carson, y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 1-19). Detroit: Wayne State University Press.
  4. Baron, Cynthia (2006). Sayles between the Systems: Bucking “Industry Policy'; and Indie Apolitical Chic. En D. Carson y H. Kenaga (eds.), Sayles Talk: New Perspectives on Independent Filmmaker John Sayles (pp. 16-50). Detroit: Wayne State University Press.
  5. Baron, Cynthia y Carnicke, Sharon Marie (2008). Reframing Screen Performance. Ann Arbor: University of Michigan Press.
  6. Bould, Mark (2009). Lone Star: The Cinema of John Sayles. Londres: Wallflower Press.
  7. Carson, Diane (2004). Plain and Simple: Masculinity through John Sayles’s Lens. En C. Baron, D. Carson, y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 173-191). Detroit: Wayne State University Press.
  8. Ebert, Roger (1999). A Filmmaker with “Passion”. En D. Carson (ed.), John Sayles Interviews (pp. 160-163). Jackson: University of Mississippi Press.
  9. King, Geoff (2009). Indiewood USA… Where Hollywood Meets Independent Cinema. Londres: I. B. Tauris.
  10. King, Geoff, Molloy, Claire, y Tzioumakis, Yannis (eds.). (2013). American Independent Cinema: Indie, Indiewood and Beyond. Nueva York, Routledge.
  11. Kushner, Cheryl (1999). Real Big Leaguer Connects Again. En D. Carson (ed.), John Sayles Interviews (pp. 117-121). Jackson: University of Mississippi Press.
  12. Mayer, David (1999). Acting in Silent Film: Which Legacy of the Theatre? En A. Lovell y P. Kramer (eds.), Screen Acting (pp. 10-30). Londres: Routledge.
  13. McDonald, Paul (1999). Secrets and Lies: Acting for Mike Leigh. En A. Lovell y P. Kramer (eds.), Screen Acting (pp. 138-151). Londres: Routledge.
  14. Naremore, James (1988). Acting in the Cinema. Berkeley: University of California Press.
  15. Newman, Michael Z. (2010). Indiewood: Storytelling in American Independent Cinema. Nueva York: Columbia University Press.
  16. Perren, Alissa (2010). Indie Inc.: Miramax, Niche Films, and the Transformation of Hollywood in the 1990s. Austin: University of Texas Press.
  17. Pierson, John (2003). Spike Mike Reloaded: A Guided Tour Across a Decade of American Independent Cinema. Nueva York: Hyperion.
  18. Ratner, Megan (1999). Borderlines. En D. Carson (ed.), John Sayles Interviews (pp. 202-209). Jackson: University of Mississippi Press.
  19. Sayles, John (1987). Thinking in Pictures: The Making of the Movie Matewan. Boston: Houghton Mifflin Company.
  20. Schlesinger, Tom (1999). Putting People Together: An Interview with John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 15-26). Jackson: University of Mississippi Press.
  21. Scott, Nancy (1999). Independent Sayles-man. En D. Carson (ed.), John Sayles Interviews (pp. 129-132). Jackson: University of Mississippi Press.
  22. Shumway, David R. (2012). John Sayles. Urbana, Chicago & Springfield: University of Illinois Press.
  23. Tzioumakis, Yannis (2006). American Independent Cinema: An Introduction. New Brunswick: Rutgers University Press.
  24. — (2011). Hollywood’s Indie’s: Classics Divisions, Specialty Labels and the Independent Film Market. Edimburgo: Edinburgh University Press.
  25. University of Michigan (2014). The Special Collections Library: The John Sayles Archive.
  26. Viera, Maria (2004). Playing with Performance: Directorial and Performance Style in John Cassavetes’s Opening Night. En C. Baron, D. Carson y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 153-172). Detroit: Wayne State University Press.
  27. Woloch, Alex (2006). Breakups and Reunions: Late Realism in Early John Sayles. En D. Carson y H. Kenaga (eds.), Sayles Talk: New Perspectives on Independent Filmmaker John Sayles (pp. 51-78). Detroit: Wayne State University Press.
  28. Wood, Jason (2004). 100 American Independent Films. Londres: British Film Institute
  29. American Cinematographer (1999). Interview with John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 52-56). Jackson: University of Mississippi Press.
  30. American Film (1999). Dialogue on Film: John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 80-85). Jackson: University of Mississippi Press.
  31. Baron, Cynthia, Carson, Diane, y Tomasulo, Frank P. (2004). Introduction. En C. Baron, D. Carson, y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 1-19). Detroit: Wayne State University Press.
  32. Baron, Cynthia (2006). Sayles between the Systems: Bucking & Industry Policy and Indie Apolitical Chic. En D. Carson y H. Kenaga (eds.), Sayles Talk: New Perspectives on Independent Filmmaker John Sayles (pp. 16-50). Detroit: Wayne State University Press.
  33. Baron, Cynthia y Carnicke, Sharon Marie (2008). Reframing Screen Performance. Ann Arbor: University of Michigan Press.
  34. Bould, Mark (2009). Lone Star: The Cinema of John Sayles. Londres: Wallflower Press.
  35. Carson, Diane (2004). Plain and Simple: Masculinity through John Sayles’s Lens. En C. Baron, D. Carson, y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 173-191). Detroit: Wayne State University Press.
  36. Ebert, Roger (1999). A Filmmaker with ‘Passion’;. En D. Carson (ed.), John Sayles Interviews (pp. 160-163). Jackson: University of Mississippi Press.
  37. King, Geoff (2009). Indiewood USA… Where Hollywood Meets Independent Cinema. Londres: I. B. Tauris.
  38. King, Geoff, Molloy, Claire, y Tzioumakis, Yannis (eds.). (2013). American Independent Cinema: Indie, Indiewood and Beyond. Nueva York, Routledge.
  39. Kushner, Cheryl (1999). Real Big Leaguer Connects Again. En D. Carson (ed.), John Sayles Interviews (pp. 117-121). Jackson: University of Mississippi Press.
  40. Mayer, David (1999). Acting in Silent Film: Which Legacy of the Theatre? En A. Lovell y P. Kramer (eds.), Screen Acting (pp. 10-30). Londres: Routledge.
  41. McDonald, Paul (1999). Secrets and Lies: Acting for Mike Leigh. En A. Lovell y P. Kramer (eds.), Screen Acting (pp. 138-151). Londres: Routledge.
  42. Naremore, James (1988). Acting in the Cinema. Berkeley: University of California Press.
  43. Newman, Michael Z. (2010). Indiewood: Storytelling in American Independent Cinema. Nueva York: Columbia University Press.
  44. Perren, Alissa (2010). Indie Inc.: Miramax, Niche Films, and the Transformation of Hollywood in the 1990s. Austin: University of Texas Press.
  45. Pierson, John (2003). Spike Mike Reloaded: A Guided Tour Across a Decade of American Independent Cinema. Nueva York: Hyperion.
  46. Ratner, Megan (1999). Borderlines. En D. Carson (ed.), John Sayles Interviews (pp. 202-209). Jackson: University of Mississippi Press.
  47. Sayles, John (1987). Thinking in Pictures: The Making of the Movie Matewan. Boston: Houghton Mifflin Company.
  48. Schlesinger, Tom (1999). Putting People Together: An Interview with John Sayles. En D. Carson (ed.), John Sayles Interviews (pp. 15-26). Jackson: University of Mississippi Press.
  49. Scott, Nancy (1999). Independent Sayles-man. En D. Carson (ed.), John Sayles Interviews (pp. 129-132). Jackson: University of Mississippi Press.
  50. Shumway, David R. (2012). John Sayles. Urbana, Chicago & Springfield: University of Illinois Press.
  51. Tzioumakis, Yannis (2006). American Independent Cinema: An Introduction. New Brunswick: Rutgers University Press.
  52. — (2011). Hollywood’s Indie’s: Classics Divisions, Specialty Labels and the Independent Film Market. Edimburgo: Edinburgh University Press.
  53. University of Michigan (2014). The Special Collections Library: The John Sayles Archive.
  54. Viera, Maria (2004). Playing with Performance: Directorial and Performance Style in John Cassavetes’s Opening Night. En C. Baron, D. Carson y F. P. Tomasulo (eds.), More Than a Method: Trends and Traditions in Contemporary Film Performance (pp. 153-172). Detroit: Wayne State University Press.
  55. Woloch, Alex (2006). Breakups and Reunions: Late Realism in Early John Sayles. En D. Carson y H. Kenaga (eds.), Sayles Talk: New Perspectives on Independent Filmmaker John Sayles (pp. 51-78). Detroit: Wayne State University Press.
  56. Wood, Jason (2004). 100 American Independent Films. Londres: British Film Institute.