Número 28
Notebook

The <i>Mise-en-discours of Sexuality</i> in Classical Hollywood Cinema

Núria Bou Sala
Universitat Pompeu Fabra
Bio

Published 2019-07-31

Keywords

  • Erotic Imagination,
  • Metaphor,
  • Classical Hollywood Cinema,
  • Stars.

Abstract

What erotic discourse underlies the optimistic, seemingly conservative films of classicism, especially those of 1930s Hollywood? This article responds to this question by taking into account that sex could not appear directly on the screen, especially after the definitive imposition of the Production Administration Code in 1934. With this in mind, I focus on the gestures of the actors, the dialogue and the mise-en-scene before and after the fade to black that signals the omission of the sexual scene. Through metaphorical language, Hollywood’s creators developed erotic imagery that exalted the physical and sensual experience of lovers in a vital, playful and unproblematic way.


References

<p>Agamben, G. (2006). <em>Estancias. La palabra y el fantasma en la cultura occidental.</em> Valencia: Pre-Textos.<br>
Black, G. D. (1994). <em>Hollywood Censored. Morality Codes, Catholics and the Movies. </em>Nueva York: Cambridge University Press.<br>
Bordwell, D., Staiger, J., Thompson, K. (1997). <em>El cine clásico de Hollywood</em>. <em>Estilo cinematográfico y modo de producción hasta 1960</em>. Barcelona: Paidós.<br>
Bou, N., Pérez, X. (2016). La censura y el código Hays. En C. F. Heredero (ed.), <em>Screwball Comedy. Vivir para gozar</em>. Donostia: Filmoteca Vasca.<br>
Carson, A. (2015). <em>Eros. Poética del deseo. </em>Madrid: Dioptrias.<br>
Cavell, S. (1999). <em>La búsqueda de la felicidad. La comedia de enredo matrimonial en Hollywood. </em>Barcelona: Paidós.<br>
Durgnat, R. (1972). <em>The Crazy Mirror: Hollywood Comedy and the American Image</em>. Nueva York: A Delta Book.<br>
Echart, P. (2005). <em>La comedia romántica del Hollywood de los años 30 y 40. </em>Madrid: Cátedra.<br>
Foucault, M. (2008). <em>Historia de la sexualidad 1: la voluntad del saber. </em>Buenos Aires: Siglo XXI.<br>
González Requena, J. (1993). Casablanca. El film clásico. <em>Archivos de la Filmoteca, </em>14 (segunda época), 89-105.<br>
Jacobs, L. (1997). <em>The Wages of Sin. Censorship and the Fallen Woman Film, 1928-1940.  </em>Berkeley: University of California Press. <br>
Kyrou, A. (2005). <em>Le surréalisme au cinéma</em>. París: Editions Ramsay, 2005. <br>
Lasalle, M. (2000). <em>Complicated Women. Sex and Power in Pre-Code Hollywood.</em> Nueva York: St. Martin&rsquo;s Press: Thomas Dunne Books, cop.<br>
Maillard, C. (1992). <em>La</em> <em>creación por la metáfora. Introducción a la razón poética</em>. Barcelona: Anthropos.<br>
Robinson, D. (1981). <em>World Cinema. A Short History (1895-1980)</em>. Londres: Eyre Methuen.<br>
Sadoul, G. (1987). <em>Historia del cine mundial</em>. México: Siglo XXI.</p>